Thread:Lesdin/@comment-3391671-20160912054757/@comment-3391671-20170211064910

The kit is in your hands as the narrative is in mine. However, it only felt best that Konoe/Nine's personality, which affects both in their own way, should be something we work together on. Of course, the speaking lines would affect the way my narratives would work, but that's that. As mentioned, I can work around, as long as it's not an entire.

Oh Tanya the Evil. I'm enjoying that series, and started reading the original novels to understand the deeper depths. I can understand how that series would somewhat distort that way you would have Konoe be portrayed. In the end, there was a dissonance (although not that large) between our views of her character.

It seems I did make it hard to understand what I meant in regards to "straight-headed and reactionless." What I wanted to refer to, if this offers any better context, is that because of the years of seeing death unfold either naturally or by evil (or even by the good), she has become desensitized to what would usually shock or surprise a normal person. In the Freljord example, she taunted the wizard's actions and in the end spurred his demise with a little play of "fire," yet in the Tahga example, her injury, although grave, did not shake her. However on top of that, I do agree that showing frustration over how futile "human action" has become in regards to her would be a nice flavour. More can be shown that she longs to feel the actual human nature of feeling vulnerable, although she knows that she has a mission to complete that would not permit that. Humor & teasing is her other means of staying in touch with humanity in a sense, but it's not enough...?

I was going to justify why she tends to go for culling her enemies instead of the more ideal "bind with magic" kind of plot, through her main backstory. I want it to exemplify how she feels powerless by being "too powerful." Just like when you try to save an ant line, there is only so much that can be done...